The Roadrunners

The third wave of Merseybeat was just as exciting as the first. Whereas the early bands based their
sound on American Rock 'n' Roll, the third wave took the Liverpool sound to new heights with a mixture Blues and
Soul. One band that led the way with a sound that was to become the next national wave was the
Roadrunners. In Mike Hart they had a great front man with soul in his voice and the band as a whole had a
special quality.
The Roadrunners and the Rolling Stones
The story goes that whilst judging a beat contest at the Philharmonic Hall in Liverpool featuring
The Roadrunners, George Harrison is reputed to have said to Dick
Rowe the A&R man from Decca records who turned down the Beatles ("Guitar groups are
on their way out, Mr. Epstein) that he'd seen a band called The Rolling Stones who were
almost as good as The Roadrunners. Rowe is reputedly to have left the contest and got the first
train back to London where he duly signed the Stones up to the label.
Line up:
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Dave Percy - Guitar/Vocals
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John Peacock - Piano
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Mike Hart - Guitar/Sax/Vocals
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Dave Boyce - Drums
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Pete Mackey - Bass Guitar/Vocals

The Roadrunners formed in 1962 and were by no means a typical ‘Merseybeat’ band. They played at
The Cavern many times (and were invited to support The Beatles on their farewell
show at The Cavern) but their real home was The Hope Hall (now the Everyman Theatre bistro) which was the hang-out
of the arty/student ‘types’ who appreciated The Roadrunners blend of R&B and soul music.

Originally called The Tenabeats, the band formed in Liverpool in 1962. After
establishing themselves on the local club circuit, including many appearances at the legendary Cavern
Club, they appeared on the bill at the Town Hall in Birmingham supporting Sonny Boy
Williamson & The Yardbirds alongside Long John Baldry and
The Spencer Davis Rhythm & Blues Quartet. This gig was recorded and subsequently released as
an album which features two songs by The Roadrunners, "You Can Make It If You
Try" and "Mary Ann".
Mary Ann - The Roadrunners
Like many of the Liverpool groups, they spent a good deal of their time in Germany,
where they recorded two albums (sharing the second one with a Newcastle group called Shorty and
Them). When Percy left the band in mid '64, they replaced him not with another guitarist, but with
two saxophonists, Nick Carver (a.k.a Nick La Grec) and Johnny Phillips, and
changed their musical style from blues-oriented rock to more of a "soul" sound.

There were further changes in personnel with Hart and Boyce both departing in '65, their places
being taken by Mike Kontzle (guitar), Mike Byrne (vocals) and Terry
McCusker (drums).
Having turned their backs on a major record company (Decca) in '64, declining to submit to the
forces of commercialisation, The Roadrunners eventually called it a day in 1966.
Drummer Dave Boyce said “For us it was never going to be a career, whereas for a lot of the
bands it was a real alternative to being a ‘can-lad’ or a ‘messenger-boy’, that said, nobody thought it was ‘going
to last’. There is a famous filmed interview with Ringo Starr when, even after a couple of number ones, he
expressed the hope that it would last long enough for him to make enough money to buy a hairdressing
salon”.
As for the music, Dave said, “A lot of Chicago stuff was culled from the ‘Muddy Waters at
Newport’ LP, plus some fairly rare singles by Bo Diddley (his ‘Roadrunner’ provided the
groups name), Little Walter, John Lee Hooker, Howlin’ Wolf and
Etta James”. The rock ‘n’ roll oriented stuff came from Little Richard,
Chuck Berry and Fats Domino, although we tended to avoid the more obvious numbers
like ‘Tutti Frutti’, Blueberry Hill’ and ‘Sweet Little Sixteen’, preferring non-hit Liverpool standards like
‘Memphis Tennessee’, Jambalaya’ and ‘Talkin ‘Bout You’. (though
we did cover ‘Long Tall Sally’ and ‘Rip It Up’)”
The Raodrunners are back on CD with the release of Mike Hart Bleeds available from Cherry
Records
http://www.cherryred.co.uk/cherryred/artists/mikehart.php
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